Monday 3 September 2018

S15 Auditions: Week 1 Pt 2 Not Eurovision

If you think that there seems to be a lot of 'filling' at the start then you could well be right; there are just five acts to come this evening. That could be a record low.

In amongst the introduction you'll see the registration XF2 again but this time on a white Mercedes. Does someone really switch the plates before people arrive at the Stadium? I won't tell the DVLA if you don't.

First on the stage is a very bouncy chap called Ola. He comes from Trinidad and Tobago. A talented guy for sure. I have no idea what genre he is doing but it's all good fun and he can certainly perform. It's not the usual fare and is sufficiently different to seem new although it probably isn't going to see him winning anything. The lighting makes it difficult to figure out whether he's young or old but he's certainly energetic and all credit too to the two dancers he has with him but wo get ignored by the judges. I'm not sure what he'll do in the Abba round, though.

Next comes Brendan Murray. He's the first young lad we see this year and his Irish accent and general attitude makes me think we should have something good here. We learn that he was lead singer in a band at 16 but they only had limited success across the water. I sort of recognise him when he starts singing but can't remember where at first. He has a brilliant voice and sings really well. Despite that, Simon stops him and asks him to do a Kate Bush number, Woman's Work, which the guy says he doesn't know. It's all a bit strange and the rest of the panel are left out of the picture. My guess is that this is another set-up for the show and is all pretty well-rehearsed. Brendan goes away.

Several more come and go, also being told that they have the wrong songs but we never learn much more about them so maybe they never do get the right ones. But we do get Brendan back and he has a couple of goes at getting started before, with lyrics in hand, he gets past the first line. He does a first class job of the track and we have a potential winner here in my view.

Now I realise why he seemed familiar. He had been Ireland's entry in the 2017 Eurovision contest but failed to qualify. In fact he only came 13th out of 17 which was pretty poor. The song wasn't great but that still struck me as pretty cruel at the time.

So I may revise my idea about us choosing our entry for Eurovision 2019 from this year's winner!

That took up best part of the show. Someone else we've seen before turns up next. Mark from the Reason reached Judges Houses in 2010 - interestingly, the same year that 1D were there and no one of the 1D guys is on the panel judging. Mark tries Careless Whisper. It's not great, to be honest. Does he get another chance? No. Pretty harsh and he's out. Simon says that he can see no chance that he could get a first grade writer to produce a track for him and, as he doesn't write his own material, there's no hope. I imagine he could say that about a lot of contestants he does see through.

Jackie's next and it's a sort of Susan Boyle moment. She's getting on a bit, works on a farm and hasn't exactly dressed to the nines for the event. You know she'll be good. And, yes, she's an excellent singer and seems genuinely surprised at the audience's enthusiastic reaction. It's good TV, I suppose, and, of course she gets through, although I am not so sure she'll be any easier to write for or sell a great deal more than the other guy might have done.

Last up is Anthony Russell who dropped out last year. He'd been doing well and was the one who looked manic and on the edge of a nervous breakdown every week. He would have made the Live Shows and I reckon he will make it this time if he keeps himself together. Nice to learn that louis Tomlinson had played quite a significant part in rescuing the guy last year - I think they'd net as Louis was helping Simon at Judges Houses. The audience like characters like Anthony. They did spent one hell of a lot of the programme on this, though.

One thing we did learn during the show was that the Final will be on 1 December. I've been working backwards and I really am hoping that this will mean we don't get the indecent rush through Live Shows as we had last year. There would appear to be time for a gradual one-out-each-week flow with a weekend for each of Bootcamp, Six Chair Challenge and Judges Houses, as well as another four audition shows. So you do the maths - for every extra (cheap-to-make) audition show that will mean one more person getting sent home in one week's Live Show (expensive to make).



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